The Grape Hunter : Sumoll

Some ripe Sumoll grapes hanging around on the vine in Catalonia.

Some ripe Sumoll grapes hanging around on the vine in Catalonia.

If you are unfamiliar with the red Sumoll varietal then don’t get down on yourself. With less than 100 hectares planted in Catalonia today it’s certainly not a grape that many are familiar with, and until last week I had never tasted it myself.

Native to the Penedès region, the Sumoll is often viewed as being a particularly rustic varietal, but given the right care and attention is a grape capable of some rather wonderful things. Extremely versatile, the Sumoll can be used to produce white, red, rosé, and sparkling (Cava) wines.

Even with its inherent drought resistance and even-ripening within the bunch, yields are incredibly low. Despite this, Sumoll was a widely planted varietal throughout Catalonia both before and after phylloxera, covering more vineyard area than the mighty Garnacha. After Spain’s entry into the EU in 1986, many less-productive native varietals were tossed aside in favour of more heavy-yielding varietals, with the vast majority of Sumoll plantings being ripped out. It’s always the same story, isn’t it? Thankfully some producers are deciding to revisit this previously discarded grape.

The name Sumoll comes from the local Catalan slang word for maturing /withering (“sumollar”), and when it comes to wine made from the grape in bottle, good things certainly come to those who wait. Naturally high in acid, and with a distinct bitter finish, young wines are virtually undrinkable. It takes a good few years of the wines evolving in bottle before they are in any way drinkable, but given time they can mature into something quite spectacular.

Expect black fruits (cherry and blackberry) accompanied by (with age) seductive aromatics of leather, sweaty horse saddle, chocolate, animal, scrub herbs, and a very particular earthiness. The tannins and acid will still be up there, but with sufficient ageing perform like those of an aged Nebbiolo. An intriguing varietal, that is for sure.


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And that is certainly a grape I’d like to taste more of.

Try This : 2013 Pérez Cruz Cabernet Sauvignon “Reserva”, Maipo Valley, Chile

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2013 Pérez Cruz Cabernet Sauvignon “Reserva”, Maipo Valley, Chile  (Alcohol 13%) LCBO General List $14.95

It’s not very often that one finds a sub-$15 bottle of red wine that it capable of some pretty serious cellar time, and that’s exactly what we have here, with previous vintages dating back as far as 2003 tasting extremely well-developed and yet remarkably bright today.

At a recent Charton Hobbs vertical tasting of some seven back vintages with longtime Winemaker German Lyon, the assembled Sommeliers and Writers were quite frankly astonished at just how well this modest wine developed over time. Closer inspection revealed that the wine’s ageability was greatly increased in cooler vintages. Now that’s not to say that the warmer vintages didn’t age well, just that they evolved with a little less grace than those from the chillier years… well, for my palate anyway.

The nose is a classic one, composed of dense, ripe, black berry fruit with a good dollop of warm oak spice, and just a hint of mint. The palate is incredibly juicy, with a dark fruit core, but has a considerable tannic value… quite chewy actually, dependant upon vintage.
3.5 apples out of 5
(Three and a half apples out of a possible five)


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And he’s going to be laying a few of these down just to see what happens.

Tasting Terroni: 2013 Outis Etna Rosso, Sicily

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Tasting the 2013 Outis Etna Rosso with Cavinona’s Gianna Sami at La Bettola di Terroni, Victoria Street, Toronto.

In the inaugural post of a brand spanking new monthly series we look at the wines, the food, and the people of the Terroni restaurants.

Perennially known and respected for having one of Toronto’s most exciting and forward-thinking Italian wine programmes, we felt that a monthly exploration of Terroni’s wine selections accompanied by specific dishes from their many different outposts would make for the basis of a most exciting ongoing series.

With this in mind, this month we sit down with Terroni cohort, Cavinona wine maven, and GFR regular Gianna Sami at La Bettola di Terroni to taste the 2013 Biondi “Outis” Etna Rosso DOC together. This particular wine, a real favourite of Gianna’s and mine, you’ll find at all Terroni locations as well as being available by the 6-pack through Cavinona.

Gianna has  intimate knowledge of both the winery and vineyards, having visited them on one of her numerous Italian trips over the years. She tells me that Ciro Bondi’s family have nurtured vineyards in the southeastern shadows of Mount Etna since the 1800s, first selling wine labelled with the family name just over a century ago. The current iteration of the Biondi estate consists of some three vineyards situated approximately 600 – 800m above sea level around the small town of Trecastagni, and is over seen by the aforementioned Ciro (originally an architect by trade) and his British wife, Stef. The vineyards are farmed organically, and always have been. The older gentlemen working the ungrafted 80 to 130 year old vines would have it no other way.

I cannot stress enough that these vineyards are located on the slopes southeast of Mount Etna, as these iron, sulphur, and manganese-rich soils bring something very particular to the wines produced there. Many of the Etna wines we see come from the northern slopes of the volcano, where the soils tend to produce wines that are darker, and noticeably more structured, with those of the southeastern vineyards more often being lighter, and as Gianna puts it, a bit more feminine in nature. Indeed, in order to add a touch more colour to the wine, a 20% portion of the darker Nerello Capuccio grape is blended into this Nerello Mascalese-dominant bottling.

Carpaccio di Funghi e Parmigiano - Raw King Oyster mushrooms w/ Parmigiano, walnuts & pink grapefruit

Carpaccio di Funghi e Parmigiano – Raw King Oyster mushrooms w/ Parmigiano, walnuts & pink grapefruit, a stunning match for the Outis Etna Rosso.

The name “Outis”comes from the Greek word for “nobody”, with the Italian word for the same, “Nessuno”, being placed below the Outis on the label. Outis refers to Odysseus’ run in with Polyphemus, the mythical Cyclops on Mount Etna. When asked his name by the fearful Cyclops, according to Homer the plucky Odysseus replied “Outis!”, and hence the wine found its name, Ciro Biondi wishing his wine to speak to the Etna vineyards from whence it came, and certainly not the Winemaker’s hand.

Upon nosing the wine Gianna finds red fruits with a bit of a balsamic note, to which I counter with a strikingly bright, red cherry component that I find follows through onto the palate. There’s a pleasant nutty aromatic there, one that no doubt has a little something to do with the wine’s ageing in older (read; neutral) 250 and 500 litre barrels.

Despite having a most attractive bouquet, it was the palate that I was particularly drawn towards… great acidity, undeniably minerally and earthy, with a delightful finesse in the mouth, soft and velvety tannins that are at the same time pleasingly assertive. The Outis Rosso really does have superb texture, particularly on the mid-palate. This wine is all about elegance and finesse, and that is most fitting seeing as Gianna earlier made mention of its similarities to the hallowed Pinot Noir, and I had just begun to find echoes of Nebbiolo contained within.

It is by no means a light wine, something that its appearance in the glass belies… it’s very much a medium-bodied wine, and one that undoubtedly screams for food, its equilibrial fruit/acid/tannin axis making it a seriously versatile dinner guest.

Papardelle Con Porchetta - Handmade pasta w/ slow roasted pork shoulder & Pecorino Romano

Papardelle Con Porchetta – Handmade pasta w/ slow roasted pork shoulder & Pecorino Romano, a hearty Autumnal dish that worked so very well with the chosen wine.

La Bettola di Terroni Chef, Costantino Guzzo, a Sicilan native, suddenly arrived bearing a couple of plates from his new menu: Carpaccio di Funghi e Parmigiano (Raw King Oyster mushrooms w/ Parmigiano, walnuts & pink grapefruit) and Papardelle Con Porchetta (Handmade pasta w/ slow roasted pork shoulder & Pecorino Romano… an occasional special at the restaurant). Having skipped lunch due to cramming a number of work commitments and deadlines, this was certainly turning into a rather pleasurable afternoon…

Gianna and I both found delightful harmonies between the nuttiness of the wine alongside the crunchy walnuts, a synergy between the velvety texture of the raw King mushrooms and the supple, pleasing fine-grained tannins present, the wine’s acidity balancing perfectly with the citric punch from the dish’s grapefruit component. To be honest, I could have sat there all afternoon enjoying this most fruitful of combinations.

With the Porchetta Parpadelle there were also many complimentary flavours and textures that we found: the wine’s inherent acid profile jamming side by side with the fattiness of the pork, the rosemary bringing out myriad complexities in the wine’s mineral, earthy profile. Again we had found another dish that was a more than worthy companion for this beguilingly delicious, and supremely versatile Etna wine.
4.5 apples out of 5
(Four and half apples out of a possible five)

Terroni and Cavinona are a Good Food Fighters. Please support the businesses and organizations that support Good Food Revolution.


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And expect to see Gianna featured as one of our next Young Blood Sommelier profiles in the coming months.

Affordable, Accessible, and Downright Delicious: The Sparkling Wines Of Limoux

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Francois Antech-Gaseau holds court at Biff’s Bistro, Toronto, charming a table of local Sommeliers with her wines and her stories.

Last week I broke bread and clinked glasses with Francoise Antech-Gaseau of the sparkling house of Antech from Limoux, France. She was in town to meet with Sommeliers and introduce her range of delightful sparkling wines to Toronto.

After dinner we sat down and asked her a few questions about this fascinating region and her family’s wines.

If you are unfamiliar with the sparkling wines of Limoux then I recommend that you give them a try. You will be most pleasantly surprised.


Good Food Revolution: Hello Francoise… great to meet you… would you please tell us a little about the history of your family’s winery in Limoux?

Francoise Antech-Gaseau: Antech estate is a family-owned winery specialized in making A.O.C sparkling wines for more than six generations. All our wines are market under Terra-Vitis certifications, related to sustainable viticulture. I joined the company 20 years ago to work with my father and uncle and I’m just having a lot of fun doing this.

GFR: Now, for those of our readers who are unfamiliar with the region and its sparkling wines, would you care to explain the different wines that you produce?

F A-G: Well…

Blanquette de Limoux Méthode Traditionnelle with the main grape being the local Mauzac, 90% minimum

Crémant de Limoux White and Rosé Méthode Traditionnelle, mainly Chardonnay and Chenin, a little bit of Pinot Noir on some Cuvées when we want to give more body and always a little bit of Mauzac to remember that our wines comes from Limoux.

Blanquette Méthode Ancestrale Méthode Ancestrale (a natural restart of the fermentation without any added sugar). Naturally sweet and fruity with only 6% alcohol,  made with 100% Mauzac.

GFR: What differentiates the sparkling wines of Limoux from those made elsewhere in France and the rest of the world?

F A-G: We have an ancestral savoir faire, indeed it’s in Limoux in 1544 that the first Bubbles were invented.

We have a méditéranéan climate that brings to the wines many aromas, combined with some oceanic influences (giving the wines body) and a part of the vineyard is located up to 400m above sea level which brings a certain freshness and vivacity. Our wines are round, expressive and delicately refreshing.

GFR: And varietal-wise, what are you using?

F A-G: The main grape for the Blanquette is the Mauzac (typical idiomatic grape from Limoux) and for the Crémant, more classic cépages as Chardonnay, Chenin and Pinot Noir.

GFR: Now it is believed that way before Dom Perignon, you were making sparkling wines down in Limoux?

F A-G: The story is very old. During the Renaissance period the monks from a Benedictine abbey in Limoux discovered the sparkle, probably through the process with which we produce the Ancestrale today. That was 150 years before Dom Pérignon…

GFR: How do you feel the sparkling wines of Limoux are perceived around the world? Where are your largest markets?

F A-G: They always create interest (Bubbles always create the interest anyway !), because they are fresh, delicate and most of all very easy to drink.

We sell 50% of our production abroad mainly in northern Europe, America and Japan.

GFR: And if you want to expand people’s understanding of these wines, what would you see as your target demographic?

F A-G: it’s not a question of age, I would try meet all the people that enjoy life,  food ; conviviality and share. Life is too short to be sad, a day is much better with a glass of sparkling ! And remember : a glass of sparkling wines a day, keeps the doctor away !

GFR: Haha… I’ll remember that!

I believe that you have done many experiments with more natural styles of winemaking over the years?

F A-G: yes I’ve done many experiments and my philosophy is to keep the wines as natural as possible but also to use modern techniques when they improve the tasting of the wine.  

GFR: How do you feel about the whole Vin Nature scene as a whole?

F A-G: Nature or not I like the good wines that smell delicate !

GFR: So where do you see today’s palate leading… towards the super dry styles, or is that little bit of residual sugar still appreciated?

F A-G: Globally I have noticed a recent trend to go for less and less sugar.

Most of the people are looking for a good balance in mouth and the combination of a good dosage with the natural acidity offers very nice sensations in mouth. Of course this all depends on the acidity of the year, the grape (Mauzac is naturally round so you do not need to add so much sugar) and of course the palate of the consumer.

What I notice is that as the people taste more wines they tend to go for those with a lower dosage to discover the purity of the wine.

That is why I have created a range of Brut Nature (Zéro Doasage) where the wines are the same some have received dosage the other not !

GFR: Would you please give me your favourite food pairings with your different wines?

Blanquette de Limoux Réserve Brut : Apéritive with a foie-gras toast

Blanquette de Limoux Brut Nature : oysters and seafood

Crémant de Limoux Emotion Brut Rosé: scallops , salmon and asian food ; strawberries tart

Crémant de Limoux Expression : apéritive, goat cheese and honey

Crémant de Limoux Grande Cuvée 2010 Brut : scramble eggs with black truffles, chicken  in white sauce

Blanquette Méthode Ancestrale : Crêpes Suzette, Tarte tatin

GFR: Thank you so much for your time, Francoise!

Antech are represented in Ontario by Noble Estates. Noble Estates are a Good Food Fighter. Please support the businesses and organizations that support Good Food Revolution.


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And he’s really amazed at these superb wines.

Try This: 2013 Tabalí Viognier “Reserva” Limari Valley D.O. Chile

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2013 Tabalí Viognier “Reserva” Limari Valley D.O. Chile (Alc. 13.5%) LCBO VINTAGES $13.95 There was a while, maybe some 15 years ago, when I was somewhat gaga over this grape Viognier. I distinctly remember consuming countless gallons of a simple VDP over the course of one particular Toronto summer and perhaps it was this experience that led to me abstaining from anything made with the grape for the following decade or so. It could also have been the fact that at the height of the Anything But Chardonnay years there was a tonne of simply awful Viognier wine out there. With this in mind it was a really pleasant surprise to find this inexpensive Chilean Viognier in Vintages just the other week.

The Tabalí Reserva is an immensely pleasing wine that delivers a fair bit for its modest price tag. Rather than succumb to the clumsiness that seems inherent in most examples at this level, the Tabali really shines with delightfully bright acidity and lifted, expressive fruit.

The nose gives us bags of ripe Golden Delicious apple, with touches of peach and spice. The palate has a great lively core of orchard fruits, and a pleasingly snappy acid profile. Whilst not being the most complex of wines (and what do you expect for $14?), this bottling does bring the taster/drinker considerable amounts of Viognier-driven pleasure… and that’s always a good thing, non? Oh yes, and thankfully this wine sees nary a hint of oak… always a good thing when it comes to this particular varietal in my mind.

I’d actually eschew a food pairing with this bottling as it drinks so well by itself. Saying that, it’s just the thing for a traditional Thanksgiving turkey. There will certainly be some on my Thanksgiving dinner table this Monday. 4 apples out of 5 (Four apples out of a possible five)


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And after so many years out in the cold, he’s warmed to Viognier again.

 

Mini Documentary: The Ins And Outs Of Cap Management

Southbrook's Winemaker Ann Sperling gives us a succinct lesson in cap management.

Southbrook’s Winemaker Ann Sperling gives us a succinct lesson in cap management.

So what exactly is cap management and what does it bring to a wine? We join Winemaker Ann Sperling at Southbrook for a short documentary about the three methods she uses for her red wines.

If you are having trouble viewing this video please click here.


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And yes, he gets a little excited by such matters… he’s funny that way.

Sommelier to Lord Sabre himself… Olivier Zavattin, Carcassonne

Sommelier Olivier Zavattin vetting the wines for the visit of Lord Sabre AKA DJ Andrew Weatherall - All Rights Reserved © Ludo Charles

Sommelier Olivier Zavattin carefully vetting the wines for the third visit to Carcassonne of Lord Sabre AKA DJ Andrew Weatherall – All Rights Reserved © Ludo Charles

It’s not like your common-or-garden DJ to host a two day, late-summer micro-festival located in a fairytale castle in Carcasssonne, southwestern France with a Michelin-starred Chef in charge of the food, and a much-lauded local Sommelier/Bon-vivant presenting the local wines… but then Andrew Weatherall is anything but your common-or-garden DJ. From his early stints with the notorious Boy’s Own collective in the late 80’s/early 90’s, through his Sabres of Paradise/Two Lone Swordsmen/Asphodells “gangs”, to his current fecund and most fruitful production/remix schedule, Weatherall has been forever the renegade, “The Outsider”, a defiant stance epitomised through his Music’s Not For Everyone radio show sets. Seeing as Good Food Revolution will be in attendance at this week’s Convenanza Festival, we thought it only right to conduct an in-depth interview with Olivier Zavattin, the gregarious and passionate Languedoc Sommelier responsible for selecting the wines for the couple of hundred Weatherall acolytes descending upon Carcassonne for a weekend of esoteric, pulsating, shimmering rythyms, stellar food, and delicious vinous indulgence.


Good Food Revolution: So Olivier, please tell our readers about what you are currently doing in the southwest of France? Olivier Zavattin: Hello, my name is OIivier Zavattin, I’m 40 years old and after a career in Michelin starred restaurants and several important competitions that placed me amongst the top-rated French sommeliers of my generation, I wanted to slow down my way of life by buying a wine shop in Carcasonne, and it is called La Passion du Vin. I wanted to share my knowledge to help restaurants that don’t have a Sommelier to have good wine lists. I also consult with some larger châteaux to put in place wine tourism, like the Andrew Weatherall Festival, as well as Gérard Bertrand’s “Festival de l’Hospitality.” GFR: So in your wine store, La Passion du Vin, please tell us about your philosophy when it comes to the wines that you choose to carry? OZ: My philosophy is simple. Through my many vineyard visits, I have to find wines for my clients that are on the cusp of what is new. At home, I drink quite often “natural wines” that are made without sulphur, and we sell a few of them at my shop. For me, wine is all about love and sharing. GFR: Were you always interested in wine? When did you decide to make wine your career? OZ: I grew up in a village in the south of France, where all of my friends had Vignerons as parents. When I returned to hospitality school, after a stage at a Michelin starred restaurant, I discovered the career of Sommelier. Since that day, I knew that my career would be that of a Sommelier! It was there, where I met the French Sommelier elite, and the competitions started… 20 years of passion and it’s not finished! GFR: When it comes to the wines of the Languedoc, which particular appellations are exciting you these days? OZ: Today, the wines of the Languedoc region are very popular. It is a fabulous and complex terroir, one of the largest viticultural regions of the world, with all styles of wine: Crémant de Limoux, the whites of Picpoul, Boutenac, the terrasses of Larzac and the famous sweet wines named Vins Doux Naturels (VDN), and the wines of the Templars. GFR: And when it comes to producers, who do you feel is doing something truly extraordinary? OZ: As for the extraordinary producers of the Languedoc, they are Borie de Maurel, Gauby, Gérard Bertrand, Marlène Soria (Clos Syrah Léone), Rémy Pedreno, Marjorie Gallet (Roc des Anges), Olivier Jullien, as well as the natural vintners quite popular on social media like Jeff Coutelou, Domaine Léonine, Vincent Bonnal…. there are so many… GFR: We don’t see too much Languedoc white in our market. What do you feel Languedoc does well when it comes to white wines? OZ: To produce quality whites in Languedoc, sites need to be of high altitude and/or sanitarily clean. In my opinion, quality white wines of the South of France are Limoux (south of Carcassonne), magnificent Chardonnay and Chenin Blanc are produced by vintners like Gilles Azam, Franck Schisano and Cave Anne de Joyeuse (La Butinière). The region of Picpoul de Pinet produces a white wine ideal with oysters and other seafood, as it lies on the Étang de Thau, the largest of a string of lagoons south of Montpellier. GFR: For you, what is THE red grape of the Languedoc? And why? OZ: I adore Carignan, because it one of the emblematic varieties of the region. Once critized, it was torn out, but today, we realized that it is super, so the vintners replanted. The only issue however, is that the vines needs to be at least 40 years old in order for the wine to produce a magical wine. GFR: I still feel that the Languedoc is a vast, for-the-most-part untapped treasure trove of amazing wines. Why don’t you think that Languedoc doesn’t yet have the same recognition and/or prestige of so many other French regions? OZ: The reason is simple; we have, for too long been, producing blends and negociant wines. We didn’t start bottling until the end of the 60s, the best varietals didn’t start arriving until the 70s, like Syrah for example. The majority of independent vintners didn’t start to assert themselves until the end of the 80s. The paradox here is that the Romans planted grapes in this region over 2000 years ago, but the story of our vineyards, in the contemporary sense, started only 30 years ago. GFR: During my recent travels down there, although I tasted many superb wines, I was still quite shocked at how many wines I tasted had serious issues with brettanomyces. I was then further shocked when a few producers insisted that this full on funkiness was la garrigue or le terroir, when it was quite obviously some seriously bad hygiene in the winery. Whilst I do have a fair amount of tolerance for brett, especially when it is in balance with the rest of the wine, in a number of bottling this was the prevailing character. I’d love to hear your thoughts on this topic? OZ: To my despair, Brett has become a bit fashionable in the region, especially with natural wines, without sulfur. It is a fault and a lack of hygiene; we now need to educate the new wave of naturalists! That said, in general, our vintners work well and all in all, we find less of this problem. GFR: And on the flip side of that, I discovered a number of much more modern, international styles that had been hit with so much new oak that they were just too much. Does anyone in France actually drink this stuff or do they just slap a hefty price tag on it and ship it off to North America? OZ: There was the “oaky trend,” the trend where the wines tasted too oaky, but today most of the vintners of the Languedoc who sell to the domestic market calmed down. For the international market however, we do still find too many oaky wines. I like your question because we have found that tastes change and often improve the quality of the juice, and not the vinification techniques which often mask the true work of the vintner. GFR: Carignan is a grape that I have always had a serious soft spot for. I’m really happy to see a few producers really focusing upon making quality Carignan, and I tasted some wonderful, wonderful examples. How do you feel about this much overlooked varietal? OZ: Wow! Great question, it’s my favourite varietal. Please see above for my answer. Don’t forget #carignanday on June 8! GFR: It’s a lot easier to practice biodynamic viticulture down here in the southwest than it is in many other regions of France (due to the absence of much of the disease pressure that impacts, say, Burgundy). How do you feel about the biodynamic culture in your part of the world and the wines they produce? OZ: I am absolutely for biodynamics, it’s the real deal. I discovered this culture thanks to Nicolas Joly in the Loire Valley, with his famous Coulée de Serrant in Savenières. I am persuaded that this culture is the future, in the hope to preserve our ecosystem. GFR: Vin Nature (Natural Wine) is still a huge thing in North America. I’d be interested to hear your take on such ventures in the Languedoc? OZ: I am totally in favour, and I only drink natural wine at home,  however, today many customers are cautious with this type of wine because often one can find elements that one finds distasteful. In the Languedoc, as in other regions we have excellent natural winemakers who do a good job, however, the the role of alternative wine shops is important, we must educate customers, explaining that it takes a carafe to aerate wine correctly, to serve wines cooler, to have a little patience before tasting … “Education”! GFR: So you are responsible for the wine portion of the Andrew Weatherall Festival in Carcassonne this September… how did you become involved in that? It’s a dream come true for me… Weatherall + Wine + Food + A beautiful castle as a venue = An extremely happy Jamie Drummond. OZ: Bernie and Benjamin are friends, we share the same musical philosophy for many years as we are from this “electro” generation, we frequent the same spots… This Festival Research Excellence, quality around the Music, spot of tourism, our values ​​and the essence of our culture, history, gastronomy and wine… Since I’m striving for excellence every day for the sommelier, our collaboration was a natural thing… GFR: And what can festival goers expect by way of wine offerings at the castle? OZ: Last year we gave the  selection a “French Touch” with an array of local varietal wines, this year we are still in “selections and tastings” mode but we are leaning towards stylish wines with lots of freshness and some “fun” stuff from the terroir of Limoux… Stay tuned! GFR: Speaking of music, what are your thoughts on pairing wines with music?… how do you feel about music in restaurants? OZ: Music and wine work… and the program of the Convenanza Andrew Weatherall Festival, is in full symphony with my selection of wine… I also often combine much Jazz with wine. Restaurants should better choosing music programming… especially in France! GFR: I’m still not convinced about the Jazz/wine thing myself. One of my bugbears actually. Way too much dodgy Jazz in restaurants for my liking. However, I digress… The food at this festival sounds pretty special too. It’s quite a well-known Chef who is providing the catering, is it not? OZ: Jérôme Ryon is an excellent Chef… discreet, as he  respects the products and reflects a French cuisine through fashionable dishes, loving the excercise in synergies between the dishes and the wines… there is a natural fit between the work of this Chef and this festival. GFR: What kind of dishes are truly typical for the region? OZ: We are a region of “Land and Sea”, regional cuisine is really wide depending on whether one is near the sea or inland … In Carcassonne, we are in the cassoulet country… A magical food,  a friendly dish that represents the sense of sharing. GFR: And would you please give us your very favourite regional food and wine pairing? OZ:  With our Cassoulet, I recommend a Minervois, Corbieres, or Fitou. Oysters of Bouzigues with a Picpoul de Pinet, with our asparagus (seasonal) dry muscat with a bowl of Lisette (mackerel) a Clape White. A boar stew with Cabardès. A loup à l’étuvée (local sea bass) with leeks braised with Chardonnay de Limoux. GFR: Where are your favourite places to dine in Carcassonne, for both casual and fine dining? I believe that you have some rather good restaurants? OZ: In the city : La Barbacane – Chef Jérôme Ryon – * Michelin Le Comte Roger – Chef Pierre Mesa – L’Escargot – Tapas originaux – A very trendy place Le Créneau – Excellente Côte de Bœuf – Branch En Ville : Un Jardin En Ville, Chez Alban, A concept Restaurant that is nice and warm Le Parc – Chef Franck Putelat – ** Michelin Bistrot de Tantine – Produit Frais – A lovely setting Chai Moi – Bar à Vins, nicely relaxing on the bank of the Midi canal Chez Norbert – Le Paradis de la Viande – for a very French ambience GFR: And what do you see as being the future for Languedoc wines? OZ: Le Languedoc c’est l’Avenir, j’en suis persuadé, les vins ont beaucoup de succés, nous sommes en train d’écrire et de vous raconter cette histoire… The Languedoc is the future, I am sure, the wines will have a lot of success, we are currently writing the story of these wines and will see what happens … GFR: Olivier, we thank you so much for your time, and look forward to seeing you on the dance floor in the castle later this week! OZ: Un grand plaisir de répondre à vos questions et de partager ma passion pour les vins de notre région… Love & Share… It has been a great pleasure to answer your questions and share my passion for the wines of our region … Love & Share …


Jamie Drummond

Edinburgh-born/Toronto-based Sommelier, consultant, writer, judge, and educator Jamie Drummond is the Director of Programs/Editor of Good Food Revolution… And he is so ever grateful to Bernard Stramwasser of Le Sommelier for assisting with the translation of this lengthy interview.